DRIFT

On May 22, 2026, Mike D (Michael Diamond) of the legendary Beastie Boys released “What We Got,” his second solo single of the month. The track arrives less than a month after “Switch Up,” marking a sudden and welcome burst of new music from one of hip-hop and alternative culture’s most influential figures.

Recorded during the same sessions as “Switch Up,” “What We Got” features production from Carter Lang (known for his work with SZA and Justin Bieber) and contributions from Mike D’s sons, Davis and Skyler Diamond, who perform together as Very Nice Person. The family involvement adds a deeply personal layer to the release, continuing a recent trend of multi-generational collaboration.

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The last full Beastie Boys album, Hot Sauce Committee Part Two, dropped in 2011. Following the tragic death of Adam “MCA” Yauch in 2012, the group effectively went on indefinite hiatus. While Ad-Rock (Adam Horovitz) and Mike D have occasionally surfaced for projects, interviews, or archival releases, new original music from any Beastie Boy has been virtually nonexistent for 15 years.

Mike D’s solo foray feels both surprising and organic. It began with low-stakes home studio sessions alongside his sons’ band Very Nice Person. Those intimate experiments evolved into polished tracks that retain the playful, genre-blurring spirit of Beastie Boys while pushing into fresh territory. “Switch Up” and now “What We Got” carry hazy samples, fuzzy guitars, echo-drenched vocals, and that unmistakable off-kilter funk that defined much of the group’s later work.

Critics and fans have noted how these songs feel like natural extensions of the Beastie Boys’ adventurous late-period sound — think To the 5 Boroughs or Hot Sauce Committee — but with a more relaxed, present-day vibe. Mike D’s voice remains instantly recognizable: witty, rhythmic, and full of that effortless cool that helped the Beasties transition from bratty hardcore punks to respected genre innovators.

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The involvement of Davis and Skyler Diamond is one of the most heartening aspects of this new phase. The brothers’ project Very Nice Person blends indie-dance and electronic elements, and their work with their father has clearly sparked something special. Earlier in 2026, Mike D made surprise appearances with his sons’ band, performing Beastie Boys classics like “So What’cha Want” and “Looking Down the Barrel of a Gun.” Those moments went viral and reportedly helped motivate him to record new material.

Carter Lang’s production brings modern polish and groove, while the family dynamic keeps things grounded and fun. In interviews and social media teases, Mike D has emphasized the joy of creating without the pressure of a full Beastie Boys reunion. This isn’t about replacing what was lost with Yauch — it’s about moving forward on his own terms while keeping the spirit alive.

For longtime fans, these releases offer a bittersweet reminder of what the Beasties achieved: three Jewish kids from New York who helped define genre-crossing, sample-heavy, culturally omnivorous hip-hop and alternative music from the mid-80s through the 2010s. Their influence stretches across rap, punk, skate culture, activism, and even film (Yauch’s Tibetan Freedom Concerts and Horovitz’s acting work).

Wide interior view of a colorful retro-futurist lounge and bar space featuring pastel pink ceilings, curved architectural details, glowing blue accent lighting, and circular porthole-style windows. A long bar lined with yellow stools runs along one side while geometric booths in cream, yellow, and burgundy create intimate seating areas, blending roller-rink nostalgia with contemporary hospitality design
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Adding to the excitement, Mike D is performing tonight (May 22) and tomorrow (May 23) at Xanadu Roller Arts in Brooklyn. The venue — a roller rink turned intimate live space — feels like a perfect fit for this era of Mike D’s career: nostalgic yet forward-looking, communal, and unpretentious.

These shows mark rare solo performances from the 60-year-old artist. Expect a mix of the new singles, reimagined Beastie Boys favorites, and possibly some surprises backed by a live band that includes or draws from his sons’ musical circle. The intimate setting at Xanadu promises a high-energy, sweaty, and celebratory atmosphere — the kind of environment where the Beasties always thrived.

Tickets have been moving quickly, reflecting pent-up demand from fans who never got full closure after Yauch’s passing. For many in attendance, it will be the closest thing to a Beastie Boys experience in over a decade.

Overhead editorial-style photograph of two musicians or producers surrounded by a dense sea of colorful plush toys and stuffed animals. One person wears headphones while adjusting a compact music production device, dressed in layered knitwear and tailoring, while the other reclines among the toys. The playful composition blends lo-fi studio culture, nostalgic textures, and experimental indie aesthetics

(Davis and Skyler Diamond of Very Nice Person – bringing family creativity into Mike D’s new music “what we got”)

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Mike D’s recent activity doesn’t signal an official Beastie Boys reunion. Ad-Rock has remained relatively quiet on new music, and the emotional weight of losing MCA remains significant. Instead, this feels like a personal renaissance for Mike D — one rooted in fatherhood, creative curiosity, and a desire to create without the weight of expectations that come with the group name.

In many ways, it mirrors what other legends from his era have done: evolve on their own while honoring the past. The music carries the same skittish defiance and culture mash-up energy that made Licensed to Ill, Paul’s Boutique, and Ill Communication landmarks. But it also sounds contemporary, proving Mike D’s ear for groove and innovation hasn’t dulled.

As he hits the stage in Brooklyn this weekend, Mike D isn’t just promoting new singles — he’s reminding fans that creativity doesn’t have an expiration date. Either these tracks lead to a full solo project, more live dates, or simply serve as standalone moments of joy remains to be seen. For now, “What We Got” and “Switch Up” offer something rare and valuable: new music from a voice we thought we might never hear from again in this capacity.

Stream “What We Got” below and catch Mike D at Xanadu Roller Arts while you still can. After 15 years of relative silence, Malibu Mike is back — and it feels good.

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