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Black nylon outside, leopard fur inside: WACKO MARIA’s first Major League Baseball collection reached Japan on October 10, built around three clubs.

From across a Tokyo street, the jacket at the center of WACKO MARIA’s first run with Major League Baseball reads as a clean black nylon varsity. Turn it inside out and the lining becomes the outside: leopard-print fur, the pattern the label has worked into workwear collisions and its own accessories for years, now sitting on the reverse of a jacket built around a big-league club. WACKO MARIA and MLB put the collection on sale in Japan on October 10, and the reversible varsity is the piece doing most of the talking.

Signal. What happened: WACKO MARIA and MLB released their first collide in Japan, a five-style capsule built around the New York Yankees, Los Angeles Dodgers and San Diego Padres. Exact object: WACKO MARIA x MLB, part of the brand’s fifth Fall/Winter 2026 delivery, comprising the MLB / Reversible Varsity Jacket (¥63,800), Track Jacket (¥33,000), Track Pants (¥22,000), Pullover Hooded Sweat Shirt (¥28,600) and Crew Neck Tee(¥8,800), all prices including tax. When and where: October 10, 2026, at WACKO MARIA’s three directly run Tokyo stores, on its official online store from noon Japan time, and through authorized retailers nationwide; no rel outside Japan has been announced.

The varsity is spare beyond that flip. It comes in black only, with a 100 percent nylon shell on one face and 100 percent polyester leopard fur on the other, and it is cut in three versions, one per club, labeled Type-1 through Type-3 on stockist listings, with Type-1 (MLB-WM-BL01) listed as the Yankees jacket. Every style in the capsule is built on WACKO MARIA’s own patterns, so the proportions belong to the label and the club identities are layered on top of them rather than the other way around.

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Beyond the varsity, the lineup reads like a sideline kit. A nylon Track Jacket at ¥33,000 pairs with matching nylon Track Pants at ¥22,000, both in black. A heavyweight Pullover Hooded Sweat Shirt comes in at ¥28,600, and a Crew Neck T-Shirt at ¥8,800 sets the entry point. That puts the whole spread between ¥8,800 and ¥63,800, from T-shirt money to outerwear money.

Allocation is not uniform from door to door. FIGURE, a Shizuoka stockist, lists all three varsity types but only two versions each of the track jacket and pants, plus a single hoodie and a single tee, while another shop’s list shows three tee types, and at least one stockist warned that not every color and size would arrive at every location.

Sales ran through several channels at once. Online, the official store opened at noon Japan time; in person, the capsule went through PARADISE TOKYO in Higashiyama, the brand’s in-store shops in Shinjuku and Yurakucho, and authorized retailers across the country. The capsule arrived as part of WACKO MARIA’s fifth Fall/Winter 2026 delivery, sharing the drop with inline pieces such as leopard pouches at ¥13,200 and a mohair cardigan at ¥53,900.

The licensing side has its own small paper trail. Japanese stockist copy credits the delivery to “MLB | Fanatics,” which points to Fanatics as the licensing partner, though neither WACKO MARIA nor the league has published details of how the arrangement is structured. No overseas stockists, dollar pricing or global launch date had been announced at the time of writing.

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WACKO MARIA did not begin as a fashion company. Former J-League footballers Atsuhiko Mori, a goalkeeper, and Keiji Ishizuka founded the label in 2005, after first opening Rock Steady, a music bar in Tokyo’s Meguro area. Ishizuka later stepped away, and Mori has steered the brand since, describing its beginnings as two friends wanting to do something cultural rather than something big. Music never left the picture. Mori has long played records with his own sound crew, and when the label launched its earring collaboration with CAREERING in 2017, the release party at the flagship featured live sets from Hiroshi Fujiwara and OKAMOTO’S bassist Hama Okamoto, with Mori’s crew on the decks. That origin still sets the agenda: each season is built around the music, films and art the label’s people actually live with, and the Hawaiian shirt, produced since the brand’s first days, remains its signature garment.

Ten years in, the label opened its first flagship. PARADISE TOKYO welcomed its first customers on September 9, 2015, on the ground floor of a building at Higashiyama 2-3-2 in Meguro, sitting between the Nakameguro and Ikejiri neighborhoods rather than on a main shopping street. It was designed as a theatrical room as much as a shop, with vintage tube amplifiers and speakers playing ska, rocksteady, soul and rockabilly, and a café bar serving coffee developed with barista Takayuki Ishitani. The same address headed the stockist list for the MLB release eleven years later.

The store’s birthdays have since become a release calendar of their own. The 2015 opening arrived with tenth-anniversary collide, including pieces made with stylist Tsuyoshi Noguchi, and later anniversaries kept the habit. The seventh, in 2022, brought a capsule with Los Angeles graffiti artist Neckface, and the ninth, in 2024, produced a jacket with the hip-hop crew Namedaruma, limited to 100 pieces numbered 00 to 99 on the sleeve and priced at ¥132,000. Measured against that jacket, the MLB varsity at ¥63,800 comes in at roughly half the price.

The brand turned 20 in 2025 and marked the year with a collection titled Heaven in Tokyo, a phrase that, like “Guilty Parties,” has long doubled as a WACKO MARIA motto. Its collaborators have tended to come from outside fashion: the label has produced visual books with photographer and filmmaker Larry Clark and printed the photographs of Nobuyoshi Araki across Hawaiian shirts in 2015, treating clothing as another surface for the culture the founders grew up around.

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Collide runs close to a weekly rhythm at WACKO MARIA. This year alone has brought a Ligne 2 lighter with S.T. Dupont limited to 25 pieces and a tiger-themed drop with American tattoo artist Tim Lehi, eight years into that partnership. Across all of it, the leopard print has been the label’s most reliable passport. The Carhartt WIP collaboration from Fall/Winter 2020 put the pattern on the workwear label’s OG Active Jacket and America Script pieces, and that capsule released on October 10, 2020, six years to the day before the MLB collection.

The print came back this autumn through Dickies’ Fall/Winter 2026 merge, which paired a leopard Active Jacket with solid black and charcoal versions and pleated trousers in four colorways. The reversible varsity is familiar ground too. WACKO MARIA has made two-faced varsities before, and an earlier embroidered version turned one way to show a black body with blue sleeves and a pair of cranes stitched across the back. Seen next to that jacket and the Dickies release, the MLB varsity is less a departure than a continuation: the same leopard, the same flip between plain and loud, applied this time to a garment with sports roots rather than workwear ones.

Sport itself is not new territory. In June the brand put out a limited World Cup capsule sold exclusively in Tokyo, an obvious fit for a label run by a former professional footballer. The MLB capsule is the first time WACKO MARIA has worked with the league, and it brings a different kind of partner into the mix: a league whose club marks are tightly licensed, rather than an artist, a musician or a heritage workwear house. It is not the label’s first time inside someone else’s licensing rules, though. The 20th anniversary collection in 2025 drew on films including Jaws and Stand by Me, so the brand has already worked with properties whose owners control every use of their imagery.

Judged by the published specs, the brand kept its hand light. The varsity, track jacket and track pants are all listed in black, the leopard fur is specified only for the varsity’s reverse face, and the launch materials stress original patterns rather than new artwork. On paper, what WACKO MARIA contributes is cut, fabric and the reversible trick, a narrower set of tools than a label known for Marian imagery and loud all-over prints usually allows itself.

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WACKO MARIA has not explained publicly why it chose the Yankees, Dodgers and Padres, but in Japan two of the three need little introduction. The Los Angeles Dodgers have been home to Shohei Ohtani since 2024, and the New York Yankees still carry the memory of Hideki Matsui, the Most Valuable Player of the 2009 World Series. The San Diego Padres complete a set of clubs whose Octobers keep running into each other: the Yankees swept San Diego in the 1998 World Series, the Dodgers beat the Padres in a five-game Division Series in 2024, and Los Angeles went on to beat New York for the title that same autumn.

All three reached the 2026 postseason. MLB’s own rundown of the field noted that the Padres had made the playoffs three years running for the first time in franchise history, and that the Dodgers’ run of 14 straight appearances tied the all-time record for consecutive postseason trips. Their routes in differed. San Diego opened the season 19-9 before cooling off, the Yankees had to grind their way into the field, and the Dodgers arrived as two-time defending champions after a 100-win season and their 13th division title in 14 years.

By the time the collection reached Tokyo shelves, October had already sorted them. The Yankees won their Wild Card series in two lopsided games, posting the largest run differential of any series under the current format, then were swept themselves in the Division Series, ending their season in that round for a second straight year and stretching their World Series drought to 17 seasons. The Padres swept their own Wild Card series before falling in four games in the Division Series. The Dodgers closed out their Division Series in four games to reach a third straight National League Championship Series against Milwaukee.

That leaves one of WACKO MARIA’s three clubs still playing as the capsule goes on sale: the Dodgers, four wins from a third consecutive National League pennant.

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