Fimiguerrero Strays Restrain For Euphoria On “Too High”

The UK underground favorite pairs rattling hi-hats and transportive synths with an EDM leaning build on his newest single.

Fimiguerrero has spent the past few years turning the UK’s underground rap scene into something closer to a proving ground for how loud a single can get without losing its shape. “Too High” is his new entry in that pursuit, an EDM-influence, buzzy track built on rattling hi-hats and dense kicks, with synths that feel less like a beat and more like a launch sequence. The mood swings across the runtime rather than settle into one lane.

A central vocal sample keeps pulling the track toward euphoria, while scattered electronic scrapes underneath work against that pull, adding an edge that keeps the whole thing from tipping into pure feel-good territory. Fimi’s own performance stays authoritative throughout, though for most of the track he lets the instrumental do the heavy lifting, trusting the production to carry the energy while his vocal threads through it rather than dominating it.

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Born Fimihan Uthman Akinola in Nigeria, Fimiguerrero moved to London with his mother and brother as an infant, growing up between Greenwich, Thamesmead, Newham, and briefly Kent before dropping out of a fashion marketing degree to pursue music full time. His catalog since has lean hard into the UK’s jerk and rage near scene, from early tapes like No Way Out and Human Anatomy through 2023’s Black and Immigrant, the latter arrive the same year he built a breakout shape with Lancey Foux on “Dark Knight.” That together carried into 2024’s CONGLOMERATE, a joint mixtape with Lancey Foux and Len, rel alongside his own solo tape New World Order, the pair of projects widely cred with pushing him from underground favorite toward wider recognition. “Too High” follows a steady run of 2025 and 2026 loose singles and features, including “Skywalker” with fakemink and “Cocaina,” both reportedly pulled from an upcoming project titled The Statue of a Fool.

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What separates “Too High” from a lot of the tracks jostling for attention in that same lane is how little it rely on shock value to hold interest. The rage rap scene Fimiguerrero came up through often leans on volume and abrasion as the whole point, but “Too High” spends just as much energy on its hush architecture choices, the way the synths widen and narrow, the spacing between kick hits, the moment the vocal sample rel out entire before build. It is still unmistakably a rager. It just gets there with more control than the label usual imply.